Art’s Parts 1: UFO Crash Recovery Material Analysis

Jarod Yates describes the analysis a metallic sample of the “Art’s Parts” material potentially linked to UFO incidents, tracing its history from the 1947 Roswell crash near White Sands Missile Range to its current examination. The sample, composed of magnesium, bismuth, and zinc, exhibits unusual properties including colored spheres visible under magnification and a hexagonal structure. Analysis reveals terrestrial magnesium isotopes, but the unique composition and structure raise questions about its origin and purpose.

The speaker explores various hypotheses, including thermoelectric generation, quasicrystal structure, and potential connections to pre-1947 advanced technologies. Comparisons are drawn to other purported UFO debris, such as samples from Ubatuba, Brazil and the 1952 White House incident. While a terrestrial origin in the mid-20th century is considered plausible, the possibility of extraterrestrial origins remains open, pending further non-destructive testing (X-ray diffraction, SEM). The speaker concludes by highlighting the need for further research, including locating the original sample’s source for potential additional information.

This blog post delves into the fascinating, and often frustrating, journey of investigating one such artifact: the “Arts Parts” sample, a mysterious metallic piece with a history stretching back to the infamous Roswell incidents of 1947. This presentation, originally delivered at Falcon Space, builds upon the work of Tim (a previous speaker) and presents a compelling, albeit complex, case.

A History Steeped in Mystery: From Roswell to Falcon Space

Our story begins with the alleged UFO crashes in Horse Springs and Socorro, New Mexico, in May 1947, followed by Kenneth Arnold’s famous sighting near Mount Rainier later that month. The Roswell incident, encompassing multiple events, adds another layer to this already complex narrative. The Arts Parts sample, according to the presenter’s research, originates from a crash near White Sands Missile Range, west of the Sierra Blanca Mountain Range. The sample’s journey is a testament to its enduring mystery:

• •1947: An Army Air Sergeant witnesses and retrieves a glowing object from the crash site.
• •1974: The Sergeant, before his death, reveals the sample’s existence to his grandson and others.
• •1978: The grandson’s friend, a C-130 aircrew member, tragically dies in a lightning strike.
• •1996: The grandson contacts Art Bell, sending the sample in multiple packages (letters detailing this exchange are available on Linda Moulton Howe’s Earth Files). The letters also contain a prediction of an alien reveal around 2025 – a prediction the presenter remains skeptical of.
• •2019: The sample finds its way to To The Stars Academy, with the involvement of Hal Putoff, who had been studying it for over a decade.

Analyzing the Artifact: A Multifaceted Investigation

The Arts Parts sample itself is a fascinating object. Initial images reveal aluminum discs, square punch-outs, and a larger aluminum disc with radiator-like fins. While Nick West suggests a mundane origin for the fins (a 1925 vehicle radiator), the presenter finds this plausible but not conclusive.

The sample’s composition is equally intriguing: layered magnesium (shiny side) and bismuth (dark side), with a magnesium-zinc alloy containing approximately 2.4% zinc. Extensive analysis by Linda Moulton Howe and others reveals more:

• •SEM images: Show bismuth (white lines) and magnesium-zinc alloys.
• •Isotopic analysis: Indicates terrestrial magnesium, but with large error bars due to limited data points.
• •Spectroscopic analysis: Confirms the presence of magnesium and bismuth, with the bismuth percentage below the ideal level for certain physics applications.
• •Unusual water reaction: A 90mg sample in distilled water showed magnesium ions at 60x normal concentration, along with hydrogen bubbles after 40 days.

Further analysis, including X-ray diffraction and isotopic ratio analysis, remains inconclusive, with some data withheld for now. The presenter highlights the unusual lack of lead oxide, despite trace amounts of lead being detected.

Beyond the Arts Parts Sample: Connecting the Dots

The presentation doesn’t stop with the Arts Parts sample. It explores similar cases, including:

• •July/August 1952 White House UFO incidents: A glowing piece, possibly analyzed by DOD scientist Sarbacher, was recovered.
• •Ubatuba, Brazil (1957): Analysis of recovered craft pieces showed almost pure magnesium with terrestrial isotope ratios, though with some anomalies. A Research Gate paper on this is referenced.

The presenter meticulously compares the Arts Parts sample with the Ubatuba sample, noting similarities in magnesium isotope ratios, but also highlighting discrepancies, particularly concerning strontium-84 abundance and trace element composition.

The Hexagonal Enigma and Luminescent Spheres

Visual inspection of the Arts Parts sample revealed hexagonal patterns on both sides, visible under UV light. Even more striking are the colored spheres observed on the sample’s underside: blue, copper green, yellow, pink, and white. These spheres, some of which seem to glow without an external light source, are arranged in intriguing patterns. High-resolution images and videos are promised soon. A four-minute video (link provided) shows these spheres, but an epilepsy warning is issued due to bright flashes.

Speculation and Future Research

The presenter explores several possibilities, including:

• •Thermoelectric generation: The combination of bismuth, magnesium, and zinc could be used for heat-to-electricity conversion.
• •Quasicrystals: The hexagonal structure could indicate a quasicrystal structure, a possibility that would suggest advanced technology. The presenter suggests further research into the work of Jeremy Reese and David Chester on this topic.
• •Electrogravitic/Gravitomagnetic propulsion: The presenter discusses the potential role of bismuth’s diamagnetism in magnetic shielding and its possible use in advanced propulsion systems, referencing Colonel Corso’s work and Brush’s kinetic theory.

Conclusion: A Journey Continues

The investigation into the Arts Parts sample is far from over. Further non-destructive testing, including X-ray diffraction and scanning electron microscopy, is planned. The presenter emphasizes the need for more research into pre-1947 papers on thermoelectric and thermoluminescent applications, as well as the potential connection between quasicrystals and advanced propulsion systems. The search for the sample’s original source’s grandson continues, hoping to uncover more clues from the grandfather’s journal. The mystery of the Arts Parts sample remains, but the journey to unravel its secrets is a fascinating one, filled with scientific intrigue and the enduring allure of the unknown. The bibliography provided includes links to further research and supporting materials.